Corrupted Karma Trailer from Kerim Aytac on Vimeo.
Wednesday, May 8, 2013
Friday, May 3, 2013
Thursday, May 2, 2013
Thursday, April 11, 2013
Rough Cut
We have been working away on editing our film and have been making some great progress. Here is the link to the rough cut of our trailer. We like the opening clip of our lead in the torture chair, because it immediately draws in the audience and adheres to thriller conventions. However, we are not so keen on the music, because we don't feel it fits in with the mood of our trailer, as it is up beat and our trailer is supposed to be haunting and dark, so are thinking of changing this when we next edit.
Editing Process
We want our trailer to be fast paced and exciting therefore we will use
some of the best bits of the film to attract our target audience and
highlight the most engrossing moments without giving away the plot. In
the film our lead character Tom Banks undertakes a series of trails and
challenges before the final scene where all is revealed. In our trailer
we will include footage from these key moments. For example we are going
to use the scene where the USB arrives in the post, we will include
zoomed in shots of Tom's letter box where an anonymousletter containing
the USB will arrive, this shot will leave the audience wondering what is
inside this letter. The trailer will also show images of the 'torture
chamber' in which Tom finds images of on the USB he receives in the
post, we are either going to use photograph stills or actual video
camera footage of this room along with slow and tense music. This will
leave the audience wondering what this strange dark room is and what is
going to take place in this room,encouraging them to want to see the
film. We have decided to show this scene using CCTV footage and it will
be full of glitches and will be distorted in black and white. Another
scene that we will show in our trailer is the scene where Tom and his
new friend Bryan attempt to destroy the body which Tom has killed. This
scene will show the two men making friends and then Bryan and Tom
disposing the body usingsulfuric acid. The body in this scene will be
wrapped up so the audience will have no idea of the identity if this
body or why they are destroying it. The next clip that will be included
in our trailer is from the scene in which Tom meets Tracheal,the sister
of the man he has killed. We will see Tom turning up at her house and
introducing himself, as well as a clip of them falling for each other.
The audience however will not know this girl is the sister of the
innocent man Tom murdered so will be asking questions about their
relationship.
Ancillary product-poster
I am very pleased with this final product and think that it fits in very
well with our other ancillary products and main task. We
used Photoshop to edit the image and a Canon EOS 600D to snap the shot.
The film title on our poster was written in bold black writing with a
red wash around the words, this proved successful as created a spooky
horror-like theme, almost producing blood connotations and appealing to
our target audience.
Our skills in Photoshop have developed considerably since AS, and the tools we used were: crop, clone tool, merge, cropping, manipulating colours, levels and curves (adjust lighting) colour editing including ‘red wash’, hue and saturation, levels, hardware (A2 - PC), jerky style font- gave poster an edge.
The screen behind Declan's head on our poster is shining bright white, which we emphasized in photoshop, this immediately stands out and creates super natural images, as computer screens are never just completely blank and glowing like that- these super natural connotations appeal to our target audience and adhere to the thriller genre.
The words 'Coming' written in red in combination with the black words suggests horror almost suggesting it is 'coming' for you.We shot this image as night so that it was completely dark outside, this again suggests horror and fear as well as making the computer screen stand out, as this is key in our film.
Our skills in Photoshop have developed considerably since AS, and the tools we used were: crop, clone tool, merge, cropping, manipulating colours, levels and curves (adjust lighting) colour editing including ‘red wash’, hue and saturation, levels, hardware (A2 - PC), jerky style font- gave poster an edge.
The screen behind Declan's head on our poster is shining bright white, which we emphasized in photoshop, this immediately stands out and creates super natural images, as computer screens are never just completely blank and glowing like that- these super natural connotations appeal to our target audience and adhere to the thriller genre.
The words 'Coming' written in red in combination with the black words suggests horror almost suggesting it is 'coming' for you.We shot this image as night so that it was completely dark outside, this again suggests horror and fear as well as making the computer screen stand out, as this is key in our film.
Friday, March 15, 2013
Shoot day
Overall, the filming of our theatrical trailer went pretty well. The
locations were a great success and we managed to get some exciting
footage. We managed to get all the footage shot on one day, which was
very intense but brilliant.
All the footage came out very well, especially the shot in which we placed the camera in the top corner of the 'torture chamber' where we were shooting and held it up on a tripod so it was completely still, we then shot our lead character struggling in the torture chair and are going to turn it into black and white so it looks as if it is CCTV footage. This well adhere to our thriller genre. Shooting at college was also really successful because we shot in the main office which looked exactly like the type of office our lead character would work in as a journalist with lots of papers and folders everywhere.
There were, however, some minor problems with our footage. For example, the footage of the boss firing our lead character was not completely in focus which meant we had to discard much of the footage. The hand held filming of our lead walking down the stairs of the torture chamber also proved quite difficult because it was a very narrow staircase and keeping the camera at his exact shoulder level was quite difficult.
All the footage came out very well, especially the shot in which we placed the camera in the top corner of the 'torture chamber' where we were shooting and held it up on a tripod so it was completely still, we then shot our lead character struggling in the torture chair and are going to turn it into black and white so it looks as if it is CCTV footage. This well adhere to our thriller genre. Shooting at college was also really successful because we shot in the main office which looked exactly like the type of office our lead character would work in as a journalist with lots of papers and folders everywhere.
There were, however, some minor problems with our footage. For example, the footage of the boss firing our lead character was not completely in focus which meant we had to discard much of the footage. The hand held filming of our lead walking down the stairs of the torture chamber also proved quite difficult because it was a very narrow staircase and keeping the camera at his exact shoulder level was quite difficult.
Thursday, March 7, 2013
Saturday, February 2, 2013
Friday, January 18, 2013
Shot List
SHOT LIST
Colour coded to location:Blue- Sandra's uncle's house
Yellow- Jennie's office
Pink- Karl's house
Orange- Garden at college
Scene 1
Sandras uncle’s house
1. Distant shot, heavy breathing (possible canted angle)
2. Extreme close up with chains around arms
3. Extreme close up of mouth and nose (including heavy breathing)
4. P.O.V Shot (blurry sharp movements)
5. Foot shot
Scene 2
Jennies office
1. Long office shot
2. Medium of the two characters.
3. Over the shoulder shot of the Tom Banks
4. Close up of Tom banks to help the to increase identification with the audience.
5. Over the shoulder shot of the Boss.
6. Close up on Boss your fired lines.
Scene 3
Karls house
1. Walks to a living room of some sort
2. Notices a small letter / parcel through the letter box. (slow mo perhaps as it drops)
3. Extreme close as it is picked up.
Scene 4
Karl's office
1. Opens the letter to finds USB,
2. Extreme close of USB to bring high significance to the USB.
3. Extreme close of Expression on Banks’ face and as to why there is neither address nor sender.
Scene 5
Karl's office
1. Medium of computer room of a kind, and banks sits down.
2. Extreme close of banks putting in the USB into the computer / laptop.
3. Medium that includes banks and the screen showing the computer
Scene 6
Karls house (make sure footage of cell is on screen)
4. Extreme close of glitch screen
5. Extreme close of banks reaction
6. Zoomed shot on the can that leads banks to the location of the cellar.
Scene 7
Sandra's house
1. Banks opens door to dungeon, medium long.
2. Close of hand opening door.
3. Close of feet as they step into the door.
Scene 8
Sandra's house
1. Banks walks down the stairs, medium as he does so.
2. Shots close of his feet to help bring suspense.
3. Close of his POV and increasing suspense.
4. Finds banks, long including both characters.
Scene 9
Sandra's
1. Close up of Brian, his chains, and face.
2. Medium as banks unties him.
Scene 10
Garden at college
1. Banks and Brian become friends, they drink a pint. Close up of drinks,
2. Medium of the two.
Scene 11
Jennie's office
1. Banks is fired, as he fails to find a story to sell to his boss, medium of boss, saying he’s sorry but you just had to go.
2. Banks medium of packing his items
3. Close of him picking up an old article on brains past, a photo of Brian and how he was a killer.
4. Banks is shocked and leave immediately, medium of him running.
Scene 12
Sandra's
1. Banks is in the chair again, monochrome, tied up again.
2. Close of chains
3. Close of heavy breathing of face.
4. Last shot of panning out close up shot of breathing and then cut.
Thursday, January 10, 2013
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